And it's a kind of anti-violent thing." ĭid you ever see " The Texas Chain Saw Massacre"? Horrible, wasn't it. So that was the first bit and then I started becoming more light-hearted about it, movies and all.it came out as a sort of anti-gratuitous cinema of violence. ![]() The Russians wanted to make a movie out of it. The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, "Well there was this scandalous, murderous story in France - it was a true story - about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. And I just started playing this riff I had, with this middle part, I didn't have any words to it and then I just suddenly started rapping out these words which are the ones you hear." Barber remarked that "Mick asked me if I could do an ' Andy Summers' on the track." And one of our roadies called Jim Barber, he was playing guitar on it too. Jagger said at the time of its release, "I had made out a very honest burden of mind before everyone had arrived one night. The song is a reflection of the many influences the Stones had during their career in the mid-1980s. It confronts the fear of judgment, misunderstanding, and loss that can arise from sharing one's authentic experiences and emotions with others." Too Much Blood" is a song by the Rolling Stones featured on their 1983 album Undercover.Ĭredited to Mick Jagger and Keith Richards, "Too Much Blood" is largely a Jagger composition. Overall, "Too Much Blood" explores the delicate balance between vulnerability and self-preservation. The refrains, "If I put too much blood on the page, if I put too much blood on the page again," serve as a reminder of the narrator's lingering concerns and uncertainties about expressing their true self. The repetition of the pre-chorus and chorus further emphasizes the apprehension and fear of sharing too much. The line "Now I am no devil, but I've got things on my mind" reveals the narrator's thoughts and emotions that they feel compelled to share, regardless of the potential consequences. They express concern about saying too much and the potential consequences of their openness. In the second verse, the narrator addresses their eternal witness, possibly referring to a trusted confidant or close friend. It raises doubts about whether true love and understanding can be achieved if the narrator reveals their innermost thoughts and emotions. The narrator questions whether, by being completely honest, the listener will only perceive lies and deceit. The chorus explores the fear of exposing too much, symbolized by the metaphor of putting "too much blood on the page." This suggests an overwhelming amount of personal information being shared through writing or self-expression. The repeated line "What's left for only you to take?" emphasizes the vulnerability of exposing one's true self. It raises concerns about the consequences of such openness and what impact it would have on the narrator's relationships and sense of identity. The pre-chorus poses questions about what would be left if the narrator were to share the depths of their experiences and emotions. The question "Can you say the same thing for yourself tonight?" challenges the listener to reflect on their own willingness to reveal their true selves. The line "Now I am no angel, but I got nothing to hide" implies a desire for honesty and transparency. The first verse acknowledges a fear of familiarity, suggesting that the subject is concerned about others discovering the trials and temptations they have experienced. The lyrics express a certain level of apprehension and contemplation about sharing personal experiences and emotions. "Too Much Blood" by The Gaslight Anthem delves into the themes of vulnerability, self-expression, and the fear of exposing one's true self.
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